Tuesday, May 14, 2019
Discuss Spielberg's treatment of history in Schindler's List and Essay
Discuss Spielbergs treatment of floor in Schindlers proclivity and Amistad - Essay Exampleoth films, Schindlers List and Amistad, Spielberg takes liberties with history in two ways changing documented events to fit within the films agenda and the omission of crucial parts of the story to create a different impression of history than what documented facts show. Steven Spielberg is one of only a handful of directors that could change history through his movies without losing profits. This allows Spielberg to fulfil both objectives of making money and promoting his view of history.This essay will examine Spielbergs treatment of history in his two films, Schindlers List and Amistad in an attempt to show that movies can be inspired by history, but in reality are a work of fiction. Spielberg did not portray the violence that the confine Schindlers List by Thomas Keneally describes. Characters were portrayed differently. Many factors made the book and movie different. raze though Schind lers List, the movie was based on Schindlers List, the book, Spielberg made the movie his own. Amistad was also Spielbergs creation. Spielberg took Amistad and tried to teach a moral lesson. The only problem is Spielberg made Amistad from the point of a dust coat man, not an African American. Thus, the moral lesson became the white men involved in the case came to the realisation that the Africans were man also. This point of view made white Americans and Spielberg feel better about the enslavement of African Americans by showing that not every American at the fourth dimension was pro-slavery. An African American director, like arm Lee, would have shown more of the African American experience. One look at Amistad and Roots shows the difference of the unrelenting and white point of view concerning slaverySchindlers List begins in the present day, the picture is wide-cut of colors and shows some Jewish people performing religious rituals in Hebrew. Then, Spielberg goes back in t ime to 1939 when Germany conquered Poland. The Jews in Poland were asked to
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